Cheap turkeys in Walla Walla

If you happen to blunder into this blog soon, you might find you can get a good deal on a turkey at Safeway on Rose Street in Walla Walla. I happened in Monday night and wound up with a 13.5-pound Safeway brand turkey, frozen, for $3.46. Supposedly you had to buy $25 worth of stuff to get a discount, and it was supposed to be 37 cents a pound for that size of bird, but I bought about $16 worth and got the 27 cents a pound deal. $3.46! Freaky.

Jobs, writ large

Just a quick thought: While reading about how reports on jobs created by the federal rescue stimulus handout giveaway were :riddled with inaccuracies," I was reminded of how the unemployment, cost of living and inflation reports are, too. I'm sure that's different, though...

Color me ecru!

Printers would of course agree about colors that are combinations of standardized bases, like red/green/blue or cyan/magenta/yellow/black, but I think those schemes are useful only to people who have learned what the base colors look like.

I can talk to you until you're bored about percentages of CMYK color, but I'm pretty helpless in the RGB environment, let alone more arcane schemes. I'd be more inclined to advocate for teaching people to more closely observe their surroundings so they could reference appropriate phenomena to describe colors.

If you're from New Hampshire, for example, you could probably be relied on to know what kind of blue is the blue of a Karner blue butterfly, and you could show the uninitiated a photo to describe that necktie or blouse you saw... And so on, ad infinitum.

S&P: Shots in the dark

It is said, but only Allah knows all, that "when there is a conflict between vision and other sensations, vision usually dominates – a phenomenon called visual capture."

You can demonstrate a remarkable exception through a simple procedure. Take a flash camera into a room with patterned wallpaper or a picture on the wall. It should be a room that can be darkened (an interior bathroom with a towel against the bottom crack is ideal). Turn off the lights and dark adapt for 5 minutes. Now, while holding your arm outstretched with an open hand toward the wallpaper or picture, aim and click the camera so the flash hits your hand. In a second or two, you will see a strong positive afterimage of your hand against the wallpaper. Now, move your hand downward. What did you see? What do you think happened?

When I carried out the kinesthetic capture observation above (not my design, but that of J. Seiver, or whoever JS got it from), I did as instructed, using a flashbulb to illuminate my hand against a visually interesting background. Here's what I observed:

In the moment of the flash, I didn't see much except "wow, that's bright!" Then I dropped my hand. Within a second, I saw a strong image of my hand and arm in a uniform magenta, as though my arm was still outstretched. I blinked, then saw my arm and hand outstretched in full color against the background, which also was in color but not as vivid as my hand and arm. After watching for a few seconds, the colorful scene faded, and I saw my hand and arm in cyan for a while before the scene faded away. I did the observation three times, too, just to enjoy it.

So, what happened? I think that by adapting to the darkness beforehand and then only having illumination for a moment, I set my visual system up to be fooled into seeing a false representation of the scene. I think the illusion is an outcome you'd expect when you essentially shut down the visual system then give it a brief flash of a scene then shut down the inputs again. It's reasonable to surmise the visual system has a feature analogous to the vestibular sense, and that the most recent output has an echo.

A corollary experiment involves just wiggling your fingers or making a fist with your arm in place after the flash. When I tried this, I found the afterimage blinked and never resolved completely as it did the scene did when I dropped my arm. I tried this again leaving my arm in as close to the same place as I could while turning my hand so that instead of having my palm outstretched I had the back of my hand turned outward. So I had my palm out when I hit the flash, then turned my hand inward. I saw, clearly but in dimmer light, my palm turned inward, then the afterimage of my arm and hand with the palm outward.

I have no explanation for being able to clearly see my hand with the palm inward. Maybe the flashbulb was still dying when I turned my hand? In any case, I am assuming that by turning my hand inward after that I disrupted the position of my arm enough to then see the afterimage, unlike when I wiggled my fingers. In that observation I never got a clear afterimage. In this one, I got the clear afterimage. This fits with what H Hogendoorn, M P M Kammers, T A Carlson and F A J Verstraten found in their 2008 study, "Being in the dark about seeing your hand: multisensory conflict resolved by proprioception erasing visual information," namely that moving your hand around in the place disrupts the afterimage effect but moving your hand elsewhere leads to the visual system taking over.

This might amuse you...

Writing leads & intros

As a print journalist, I've written many stories (but not many speeches) and I observe that the intros to stories, which we call leads, are a lot like the intros to speeches, especially in that they can be a challenge. Anyway, you can often find a good intro by combing through your notebook — or even the latest draft — for a good anecdote or insight. Here's a for-instance from Wednesday's paper.

The original lead was:

WALLA WALLA -- A community task force met Tuesday to address a draft report released by the state Office of Financial Management last week that outlines several recommendations for how to cut more than 1,000 beds in the Department of Corrections, including the closure of Washington State Penitentiary's historical main institution.

All true, no doubt, but the reporter and I agreed it was pretty dry and didn't convey the feelings at the meeting, which included skepticism about the report's completeness and accuracy as well as a lot of concern about the fact that the "preferred" option in the report would mean about 300 fewer jobs up on the hill. Here's what we came up with:

WALLA WALLA -- Skepticism and concern loomed over a meeting of a community task force working to prevent major job cuts at the Washington State Penitentiary.

The task force met Tuesday to address a draft report released by the state Office of Financial Management last week that outlines several recommendations for how to cut more than 1,000 beds in the Department of Corrections, including the closure of Washington State Penitentiary's historical main institution, which could cost the Valley hundreds of jobs.

As you can see, this includes the skepticism, worry and stakes (big job losses), but doesn't overwhelm readers with all the details, which are farther down in the story.

Magic eye pictures

File this under how stuff works for stereograms (aka Magic Eye pictures)
At a glance, the Magic Eye pictures (stereograms, like this one, which is in the portfolio of a designer whose Web site you can reach by clicking on the image) you see sometimes at stores in the mall, or in books or even postcards, look like a colorful abstract pattern or a collage of little pictures. But if you can learn to focus on a spot some distance behind the surface of the picture, you can get a 3-D image to show up. This all boils down to building into the image cues that let you perceive the 2-D image as having depth.

We have several mechanisms for perceiving depth. Some rely on having two eyes and others rely on just one. But although I have no problem resolving stereograms, I can't do it with only one eye, so that narrows the choices of explanations down considerably. I also observe that the pictures are harder to resolve if they are turned on their sides or upside down, which leads me to believe that what's really at work is that the artists have created images for the right and left eye that differ just enough to create the 3-D effect.

In Steven Pinker's "How the Mind Works," a couple of illustrations are a big help in understanding how we achieve depth perception using binocular (p. 218, if that book's on your shelf) and monocular cues (p. 226). The two-eye mechanism works because information arrives at different parts of each of your eyes and your visual processors use those differences (and therefore trigonometry, really) to build a 3-D representation of what you're looking at. The one-eye mechanisms are easier to comprehend: Larger items appear to be closer, for example, than smaller items. It is helpful, I think, to look at a simplified stereogram so you can actually pick out the differences on the left and right sides.

So how these pictures work is deceptively simple: They capitalize on our ability to see in stereo, using cues we rely on for 3-D vision to give us a perception of depth when looking at a 2-D object.

Blogs vs. Facebook

I find I spend a lot more time these days on Facebook than I do here, but I'm not sure if you took the total amount of time I spend on FB now it is much different from how much I used to spend working on posts. I think that the arrival of my daughter, plus work, plus another commitment that takes a ton of time, have combined to make my schedule way more fragmented than in the past.

Anyway, I have a couple of ideas of how to reenergize this blog, one of which is to recycle some content I've generated in another context. The next post is a good example :)

Ough

Ough should probably be a word on its on, but at least it is a cool ingredient.

Slough (ew!)
Trough (cough)
Dough (oh!)
Rough (no guff)
Bough (wow!)

Others?

In the mail

One of the oddball things about newspapers is the transitory staff. My current employer is unusual in its number of longtime employees, but even so, only one copy editor and one news reporter were still on staff when I rejoined the paper after a 5.5-year stint elsewhere.

What this means, among many other things, is that we get a ton of mail for the departed, often the long departed, and often not the dear departed.

Or in today's case, the never-there: I think the envelope from Christian Leaders for a Nuclear-Free Iran (are you serious?) was addressed to Jim Schnass, Wdr Ndr. Uh, OK.

Reminds me of the story about the crime story written from a news release. Prime suspect: Fnu Lnu (weird name, eh?).

The story detailed Mr. (? ) Lnu's misdeeds but not the provenance of his name, a police report shorthand for First name unknown, Last name unknown. Damned phones! They never have cops on the other end when you need them!

Vaccines

A classmate asked the rest of us for opinions about the swine flu vaccine, and whether it is OK to get the kind that has mercury in it (as has been approved for use in Washington state). Here's my response posted to the class discussion board:

My beat as a reporter for several years (several years ago) was environmental news, and being on the East Coast, mercury was a major concern because of all the coal-fired power plants (when you burn coal, mercury is in the smoke), plus of course the mercury in fish. Mercury is dangerous, of course, but it's not that big of a deal, from what I could determine, for adults to consume small amounts of mercury, like by eating tuna sandwiches or salmon, or just by living on the East Coast. But there's a lot of concern about chronic — as in not just a shot, but eating fish week in, week out — exposure for kids (and pregnant women and babies).

I think the big question here is: Do you think the risk of getting the flu is a bigger concern than a shot that has mercury in it, administered once? That's a personal choice, not really a science question. And the big obstacle in getting useful information is that most of the reliable information comes from doctors and agencies that are mostly concerned with public health, not *your* health.

Here's a for-instance: There are about 50,000 people in this county. If 50 of them die this year of swine flu, it will be a major national news story (unless we are on the brink of a 1918-style pandemic, which seeing as how there's a vaccine I seriously doubt). But even if 50 people die, that leaves 99.9 percent alive, a pretty good chance you and I will make it.

To me, the reasons to vaccinate for flu are simple: If you have immune system problems or a vulnerable family member it makes sense. Otherwise? I'd say just go with your intuition.

I feel the exact opposite about vaccinations for polio, measles, rubellla and all those, however. I don't think those vaccines should be optional, and I would never consider skipping one. For what it's worth...

Pete Rose

USA Today has a story today on Pete Rose, and whether the numbers say he should be in the Hall of Fame (aka setting betting aside).

The story acknowledges his status as Major League Baseball's all-time leader in hits (4,256 vs. Ty Cobb's 4,189 - or perhaps 4,191), as well as his well-earned Charlie Hustle persona. But aside from that, the nonbylined piece is largely a side-by-side of baseball's all-time greats and Rose, with the shadow falling on the banned man and the light bright on MLB's stars and workaday players who could be conceived to outshine the Man Who Bet On Baseball.

Don't get me wrong: I view his as the ultimate sin in his sport, and I wouldn't say he belongs in the Hall. But you know, you can't win me on numbers when you forget - as USA Today did - to include that in addition to being the all-time hits leader, Rose was No. 2 in doubles, behind only Tris Speaker.

Maybe you haven't heard of Tris Speaker, inarguably one of the top hitters of all time. Besides being the all-time doubles king, Speaker is fourth in lifetime batting average, fifth in hits and sixth in triples. But hey, that's just one stat.

The thing is, you can tell a lot of stories with stats. True in life, true in baseball. But I don't think it's fair to tell a story and drop obvious important numbers, especially when the story is controversial (like Rose) and when you're trying to prove a point with numbers.

Semi-OK cover w/ hilarious comment

Best comment at this guy's youtube post:

"you look like a bank robber, and you sing like a monkey! other than that great work!"

Me according to Bob

I find I do a lot more Facebooking these days than blogging, which is kind of lame, I know. Anyway, here's a meme I did the other day at the behest of a dear friend:

Using only song names from ONE ARTIST, cleverly answer these questions. You can't use the band I used. Try not to repeat a song title. It's a lot harder than you think! Repost as "my life according to (band name)".

Pick your Artist:
Bob Dylan

Are you a male or female:
"ballad of a thin man"

Describe yourself:
"like a rolling stone"

How do you feel:
"hurricane"

Describe where you currently live:
"blowin' in the wind"

If you could go anywhere, where would you go:
"mozambique"

Your favorite form of transportation:
"idiot wind"

Your best friend is:
"just like a woman"

You and your best friends are:
"lily, rosemary and the jack of hearts"

What's the weather like:
"a hard rain's a gonna fall"

If your life was a TV show, what would it be called:
"simple twist of fate"

What is life to you:
"one more cup of coffee"

Your last relationship:
"tears of rage"

Your fear:
"you're gonna make me lonesome when you go"

What is the best advice you have to give:
"lay down your weary tune"

Thought for the Day:
"lay, lady, lay"

My soul's present condition:
"romance in durango"

My motto:
"the times they are a-changin'"

Observation on narcotics

I can't say I'm a big fan of narcotics, particularly the vicodin, percocet, darvocet, oxycodone, oxycontin set.

I'm sure that for some people, they are a godsend, but I've also seen a fair amount of evidence to suggest that maybe, oh maybe, they're not all they're cracked up to be.

For me, they don't make a dent. If I need a painkiller, I'm better off with an Aleve, or an aspirin, or a cup of coffee or glass of whisky for that matter.

And I know a bunch of other people for whom the pills don't kill the pain, or if they do also have a host of nasty side effects.

It makes me think of anesthesia: Something that's a good tool but nobody knows why it works. I heard a doctor recently saying he thought the painkillers don't actually "kill" the pain, but just give your mind something else to occupy it.

Of course, to be fair the medical sciences haven't had many years since coming out of the Dark Ages (i.e. pre-1900 or so), so there should still be a lot of mysteries.

Maybe that's why I find the field appealing: I like undiscovered country.

Funniest part of Gran Torino?

I think it might be the bit where the son and daughter-in-law bring over the large-number phone, cake and little gopher grabber gizmo (it makes things easier!) to try to pitch Mr. Kowalski's moving into a retirement home and, um, selling the house.

I don't think he actually says anything during the whole visit except growly grumbles.

Cracks me up!

Best I can do for a post just now, I suppose.

Now here's a cool quilt

This sort of thing has been back on my mind lately, as we've been in a flurry for our now-arrived daughter (still in wicked hectic mode; stay tuned for details!). Anyway, here's a very fancy cow quilt we bumped into at this winter's quilt festival in Tokyo...

As you can see, not a typical construction:
I like the button eyes:
and the ring in the nose!
and the crow in me is always fond of shiny things:
Just one of oodles of shockingly good work.

Badass performance

Pretty tough lady!

If Not For You

This one's been a long time in coming, and I see he's grown a beard in the interim. A good cover of a Bob Dylan song, by David Bertsch, a student at Elon University.

I liked his earlier work, but I really like the arrangement here.

A cool iPhone app, for the ossaphile

I've been playing Speed Bones lately, the lite version (although I sprang for the fancy $0.99 version, too), and I'd give it the thumbs up (yeah, yeah, I know, first digit).

I've borrowed a picture to give you an idea, but the name pretty much says it: You have to quickly! identify bones and bone structures, from the skull to the distal phalanges. It is most definitely fun, and it seems to work. I've gone from a pitiful score starting out to being able to handle the first eleven levels (from general bones to pieces of arms, legs, shoulders, backs and noggins).

Very cool! By the way, I always get way more than 1699 for the clavicle. Too easy. The channel for the carotid? Welllll, working on it.